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In a sleepy French village, the body of a man shot through the head is disinterred by the roots of a fallen tree. A week later a famous art critic is viciously murdered in a nearby house. The deaths occurred more than seventy years apart.Asked by a colleague to inspect the site of the former, forensics expert Enzo Macleod quickly finds himself embroiled in the investigation of the latter. Two extraordinary narratives are set in train - one historical, unfolding in the treacherous wartime years ofOccupied France; the other contemporary, set in the autumn of 2020 as France re-enters Covid lockdown.And Enzo's investigations reveal an unexpected link between the murders - the Mona Lisa.Tasked by the exiled General Charles de Gaulle to keep the world's most famous painting out of Nazi hands after the fall of France in 1940, 28-year-old Georgette Pignal finds herself swept along by the tide of history. Following in the wake of Da Vinci's Mona Lisa as it is moved from château to château by the Louvre, she finds herself just one step ahead of two German art experts sent to steal it for rival patrons - Hitler and Göring.What none of them know is that the Louvre itself has taken exceptional measures to keep the painting safe, unwittingly setting in train a fatal sequence of events extending over seven decades.Events that have led to both killings.The Night Gate spans three generations, taking us from war-torn London, the Outer Hebrides of Scotland, Berlin and Vichy France, to the deadly enemy facing the world in 2020. In his latest novel, Peter May shows why he is one of the great contemporary writers of crime fiction.
What a surprise! We thought the series of mysteries featuring forensic science professor Enzo McCleod came to a dramatic conclusion in 2017. But Enzo wasn’t finished. Like all of the Enzo books, the pacing is fast, and the pages turn very quickly. Plan ahead because there is a point where you will not want to stop reading. If you are at 70% and it’s getting late, you might want to turn out your light or close the Kindle because it will otherwise be a very late night. This story could stand alone, but all the continuing characters are back, and you will not understand the parts of the book that are updating them if you have not read the previous books. The book opens with a particularly gruesome murder in contemporary time. Enzo was nearby because he had been invited to consult when a tree blew down and exposed the remains of a murdered Nazi officer. The small-town police welcome his help on the new murder. The story alternates between Enzo’s point of view in contemporary time and the point of view during WWII of Georgette Pignal a young French-English woman who was recruited by DeGaulle to personally protect the Mona Lisa from the Germans trying to seize it for Hitler and the Germans trying to seize it for Goring. There are awkward and deliberately obscured storyteller interludes that introduce the sequences from the 1940s and some also necessary but tedious diary entries that serve the same purpose in transferring information from the historic characters to the contemporary characters. There are interesting details about the actions taken by the French to preserve and remove the treasures of the Louvre before and after occupation by the Germans. The book includes real people and actual events with the fictional story woven around that structure. One aspect that I found intriguing is that it is the first book that I have read that is set during the pandemic. Face masks, hand sanitizer, lockdowns, etc. are part of the narrative. He does not dwell on the pandemic, but it does complicate the investigation. Enzo is older, but not much wiser as he finds himself in risky situations with some regularity. The tension level can be high. Most of the action is in France near Cahors with some scenes in the Outer Hebrides (which is also the setting of May’s Lewis series), Paris, and Berlin. The detailed descriptions of the settings are evocative, and you will feel immersed in them. This book is an excellent thriller and a solid five stars, although I might deduct half a star just because of the storytelling construct.
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